The author Jonathan Klotz
| Published
After Twilight and The Hunger Games turned young adult novels into blockbuster franchises, Hollywood studios quickly began locking up the rights to anything that might possibly become a hit. Its 2011 book, Miss Peregrine's Home for Peculiar Children, was turned into a Tim Burton film in 2016, an impressive twist on a young-adult gothic adventure. Perfect for Burton's whimsical artistic vision, the underrated film is now in Max's streaming top 10.
Miss Peregrine's House for Peculiar Children throw aside the cliche YA post-apocalypse setting, and there's romance, but it's not the point of the film; instead, it's a classic cinematic adventure about a young boy, Jacob (Asa Butterfield), who discovers a hidden world. In this case, he follows in his grandfather's footsteps when he finds himself in a ruined house on the British Isles and discovers that the house and all its strange inhabitants are still alive thanks to a time bubble that puts them in September 3rd. 1943. The house is a refuge for Peculiar, gifted children with strange powers, under the supervision of Miss Peregrine (Penny Dreadful's Eva Green) who can turn into a bird and you'll never guess which way and manipulate time.
Jacob meets the peculiar children, including Emma (Fallout's Ella Purnell), who can manipulate air but must wear heavy boots or swim away, Enoch, a creepy boy who can raise the dead, Olive, a ginger pyrokinetic, Bronwyn, a little girl with superhuman strength, and Millard, an invisible boy. . As expected, it turns out that Jacob is also a peculiar with a very specific power, as he is able to see the invisible monsters The Hollows, who want to consume the Peculiar in order to regain their lost human forms. Miss Peregrine's House for Peculiar Children tells a strange story and plays with familiar tropes, but it's also one of Tim Burton's best films in years.
Tim Burton's return to form
Miss Peregrine's House for Peculiar Children is filled with creative designs and scenery-chewing performances, but no one in the film has as much fun as Samuel L. Jackson as Baron, a shape-shifter who leads the hunt for the peculiar. It's impressive how Jackson manages to overplay a Tim Burton movie, but it works. Each character is essentially a rough sketch with one or two defining characteristics, as the film takes its time exploring the strange gothic world hidden in time bubbles rather than dwelling on the trauma and psychological damage the children hide from a world that hates and fears them. . to them.
Unlike the two Burton films that came before, Big Eyesand then, Dumbo, Miss Peregrine's House for Peculiar Children was a hit. Not enough for a sequel, adapting the second book, Hollow citywhich is a green but respectable $295 million against a $110 million budget. The critical consensus of 64 percent is new Rotten tomatoes the film has exaggerated style over substance, but fans argue that this is actually to the film's advantage.
Miss Peregrine's House for Peculiar Children began to recede from the public consciousness almost as soon as it was released. So it is surprising to see that the film is proving to be quite popular Max conquering the top 10 alongside Burton's latest film, Beetle juice Beetle juice. It's not a perfect film, but for fans of Burton and old-school B-movie gothic adventures, it's still one of the best.
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